Disecting the Oscars is a regular blog post I will be doing that focuses specifically on one category of the big awards night. Tonight I am featuring the director elite, on who I want to win and the reasons that these people made the cut. Enjoy!
James Cameron Director of Avatar: If there is one person who knows the art of filmaking it would have to be Cameron. His films (others include Titanic) delve into human connection, love, and secret hippyness. This nomination was deserving, the billion dollar world movie gross of Avatar is proof of that. However my opinion remains that more technology and cgi were in this movie than there was any directing. Except for when he had to be behind the camera filming actors/actresses prancing around in front of green screen. I am not denying the fact that this man slaved over this movie. He even created the high tech cameras necessary himself. Its true Avatar is a work of art, a dream come true movie straight from Hollywood, but directing is way different behind a camera than behind a computer.
Kathryn Bigelow Director of The Hurt Locker: Watching a movie is supposed to transport the viewer to a whole other world. The Hurt Locker was shot in a gritty in your face style in such a way where you could feel the hot desert sun and wild debris from road side bombs. It was real and with a movie making only 12.7 million its obvious that Bigelow made a big impression on the academy. In the same category as Avatar this movie is the underdog. What I enjoyed about it was that it wasnt your typical war movie, because I dont typically like war movies. By incorporating shots of a soldier at home confronted with a aisle full of cereal, the movies social commentary spoke a message loud and clear. For this particular soldier, all he knew was dismantling bombs perhaps the most dangerous job in the world. As a matter of fact he was more afraid of life at home than life in the heat of Iraq. That is why she should win this award, and it also may be a little of the fact that she is only the fourth woman to be nominated. :) go director ladies!
Quentin Tarantino Director of Inglourious Basterds: I may be the biggest female tarantino fan there is. I pride myself when I can put quotes from his movies in everyday speech even when no one around me gets it. I love the violence, I love the music, I love the actors, I love the writing. Which is why I figured I might be just a tad biased as far as this category went but I had to go with Kathryn Bigelow. However his directing style an exploitation of human emotion through dramatic and over the top lines of bad-ass character speak to so many people. Just not the academy, I am sure he wont win. It sucks because one day for one movie he needs a win. I mean who was more deserving of the best director award when he was nominated for Pulp Fiction? You heard it here the academy people are Tarantinoist. (A combo of tarantino and racist lol) His movies arent artsy and indie, perhaps they never will be. When Lt. Aldo Raine stepped up to the basterds proclaiming his desire to scalp every nazi he came across, I was sold.
Lee Daniels Director of Precious: The directing in that movie was something of beauty which seems unlikely under the horrible plot circumstances. However the contrasting red scarf under the bridge blowing in the wind on the dreary light post was a symbol I couldnt get out of my head. As a matter of fact I couldnt get most of the movie out of my head. Its something that sticks with you. When Precious is getting raped by her father for a second time the camera shows maybe a little too much of the fathers sweaty stomach but quickly sweeps away into the cracks of the ceiling. We see that Precious's mind is somewhere else, she is a superstar all glammed up and people love her. Those were the saddest moments of the movie because you wanted to go to that girl and give her everything her heart desired. The dreary slum she lived in, the darkness of her house and then the beauty of her dreams were something of directing genius.
Jason Reitman Director of Up in the Air: The shots of a movie determine the theme or underlying message. Its what I personally love about movies. Up in the Air showed a man Ryan Bingham who was in the business of loneliness. When the camera showed him moving with grace through the airport (a typically dreary wait-filled place) it is shown how often in his life it is that this man dances the boring ballet. In one scene Bingham looks down through those awful oval windows of the plane and looks upon the detailess spots of habitation. Which creates the sense with later scenes of him acting distant with people he knows, that he is constantly up in the air in an airplane while even on land. Loneliness and work exile in the most extreme form show the true loneliness behind it all. Showing the necessity for human connection even if it means not actually traveling. After all a picture really can do the trick. I really do wish Jason Reitman would win an award for best director because you can tell he really wants to and he directed Juno. Unfortunately it is not his year. :( The two front-runners remain Kathryn Bigelow and James Cameron.